Letters from Fallujah: Inside a City Under Seige | General News & Politics | Hudson Valley | Chronogram Magazine

Jo Wilding is a 29-year-old activist, trainee lawyer, writer, and clown from Bristol, England, who first visited Iraq in 2000, contravening un sanctions. She returned to Iraq in February 2003 as an independent observer. Since November 2003, Wilding has been coordinating a variety of projects in Iraq, including the Boomchucka Circus, which is part of the Circus2Iraq—a group of international volunteers who have joined together to provide smiles and laughter for the kids and people of a war-torn country. The Circus2Iraq Web site states, “People are traumatized, tired, and worn down by years of war and sanctions and are still without many basic necessities, despite the obligations of the occupying powers to provide humanitarian items. We’re not aid workers and, in any case, Iraq is a wealthy country which doesn’t need charity. We think the best thing we can do is bring a bit of color, a bit of normality, a bit of playfulness and make people smile.”

As word of the uprising in Fallujah spread through Iraq, Wilding and her friends in Baghdad decided to make a journey to Fallujah on April 11—the day the us agreed to a temporary ceasefire—to deliver food and medicine, and to remove as many wounded as possible. Since then Wilding has returned to Fallujah, bringing in more aid; was kidnapped and released by mujahideen; and is now back in Baghdad. My trusted friend and travel companion in Iraq, Anna Bachman, acts as one of two support people who stay behind when Wilding and friends make these forays, to take action should an emergency arise—such as kidnapping, injury, or death to a member of the group. It is in this context of personal knowledge of the people and the situation on the ground in Iraq that Chronogram brings you this eyewitness account. Lorna Tychostup

Trucks, oil tankers, tanks are burning on the highway east to Fallujah. A stream of boys and men goes to and from a truck that’s not burnt, stripping it bare. We turn onto the back roads through Abu Ghraib, Nuha, and Ahrar singing in Arabic, past the vehicles full of people and a few possessions, heading the other way, past the improvised refreshment posts along the way where boys throw food through the windows into the bus for us and for the people still inside Fallujah.

The bus is following a car with the nephew of a local sheikh and a guide who has contacts with the mujahideen and has cleared this with them. The reason I’m on the bus is that a journalist I know turned up at my door in Baghdad at about 11 last night telling me things were desperate in Fallujah. He said he’d brought out children with their limbs blown off. The us soldiers were going around telling people to leave by dusk or be killed, but then when people fled with whatever they could carry, they were being stopped at the us military checkpoint on the edge of town and not allowed out. Trapped, they watched the sun go down.

The journalist also said aid vehicles and the media were being turned away—medical aid that needed to go in—and there was a better chance of it getting there with foreigners, Westerners, to get through the American checkpoints. The rest of the way was secured with the armed groups who control the roads we’d travel on. We’d take in the medical supplies, see what else we could do to help, and then use the bus to bring out people who needed to leave.

The Clinic
We pile the stuff in the corridor and the boxes are torn open straight away, the blankets most welcomed. It’s not a hospital at all but a clinic; a private doctor is treating people for free since air strikes destroyed the town’s main hospital. Another clinic has been improvised in a car garage. There’s no anaesthetic. The blood bags are in a drinks fridge and the doctors warm them up under the hot tap in an unhygienic toilet.

Screaming women come in, praying, slapping their chests and faces. “Ummi” (my mother), one cries. I hold her until Maki, a consultant and acting director of the clinic, brings me to the bed where a child of about 10 is lying with a bullet wound to the head. A smaller child is being treated for a similar injury in the next bed. The woman crying “Ummi” is the children’s aunt. We are told a us sniper hit them and their grandmother as they left their home to flee Fallujah.

The lights go out, the fan stops, and in the sudden quiet someone holds up the flame of a cigarette lighter so the doctor can continue to operate. The electricity to the town has been cut off for days, and when the generator runs out of gas they have to manage until it comes back on. Dave, a Mexican American on our ambulance crew, quickly donates his flashlight. The children and the grandmother are not going to live.

“Come,” says Maki as she ushers me alone into a room where an old woman has just had an abdominal bullet wound stitched up. Another in her leg is being dressed, the bed under her foot is soaked with blood, a white flag is still clutched in her hand and she tells the same story: “I was leaving my home to go to Baghdad when I was hit by a us sniper.” Some of the town is held by us Marines, other parts by the local fighters. Their homes are in the US-controlled area and they are adamant that the snipers were US Marines.

Snipers are causing not just carnage but also paralyzing the ambulance and evacuation services. The next biggest hospital after the bombed main one is in US territory and cut off from the clinic by snipers. The ambulance has been repaired four times from bullet damage. Bodies are lying in the streets because no one can go to collect them without being shot. We are asked to go collect wounded and we leave in an ambulance.

Some said we were mad to come to Iraq; quite a few said we were completely insane to come to Fallujah; and now there are people telling me that getting in the back of the pickup to go past the snipers and get sick and injured people is the craziest thing they’ve ever seen. I know, though, that if we don’t, no one will.

Collecting the Dead and Wounded
A man is holding a white flag with a red crescent on it; I don’t know his name. The men we pass wave us on when the driver explains where we’re going. The silence is ferocious in the no man’s land between the pickup at the edge of the mujahideen territory, which has just gone from our sight around the last corner, and the Marines’ line beyond the next wall; no birds, no music, no indication that anyone is still living until a gate opens opposite and a woman comes out and points.

We edge along to the hole in the wall where we can see the car, spent mortar shells around it. The feet are visible, crossed, in the gutter. I think he’s dead already. The US soldiers are visible too, two of them on the corner of the building. As yet I think they can’t see us so we need to let them know we’re there.

“Hello,” I bellow at the top of my voice. “Can you hear me?” They must. They’re about 30 meters from us, maybe less, and it’s so still you could hear the flies buzzing at 50 paces. I repeat myself a few times, still without reply, so decide to explain myself a bit more.

“We are a medical team. We want to remove this wounded man. Is it OK for us to come out and get him? Can you give us a signal that it’s OK?”
I’m sure they can hear me but they’re still not responding. Maybe they didn’t understand it all, so I say the same again. Dave yells too in his US accent. I yell again. Finally I think I hear a shout back. Not sure, I call again.

“Hello.”

“Yeah.”

“Can we come out and get him?”

“Yeah.”

Slowly, our hands up, we go out. The black cloud that rises to greet us carries with it a hot, sour smell. Solidified, his legs are heavy. I leave them to Rana, our translator, and Dave, our guide lifting under his hips. The Kalashnikov is attached by sticky blood to his hair and hand and we don’t want it with us, so I put my foot on it as I pick up his shoulders and his blood falls out through the hole in his back. We heave him into the pickup as best we can and try to outrun the flies.

I suppose he was wearing flip flops because he’s barefoot now, no more than 20 years old, in imitation Nike pants and a blue and black striped football shirt with a big 28 on the back. As the orderlies from the clinic pull the young fighter off the pickup, yellow fluid pours from his mouth. They flip him over, face up, the way into the clinic clearing in front of them, straight up the ramp into the makeshift morgue.

We wash the blood off our hands and get into the ambulance. There are people trapped in the other hospital who need to go to Baghdad. Siren screaming, lights flashing, we huddle on the floor of the ambulance, passports and ID cards held out the windows. We pack it with people, one with his chest taped together and a drip, one on a stretcher, legs jerking so violently that I have to hold them down as we wheel him out, lifting him over steps.

The hospital is better able to treat them than the clinic but it hasn’t got enough of anything to sort them out properly and the only way to get them to Baghdad is on our bus, which means they have to go to the clinic. We’re crammed on the floor of the ambulance in case it’s shot at. Nisareen, a woman doctor about my age, can’t stop a few tears once we’re out.

The doctor rushes out to meet me: “Can you go to fetch a lady? She is pregnant and she is delivering the baby too soon.”

Azzam, our contact with the mosque in Fallujah and our guide/protector, is driving. Ahmed, a local man volunteering at the hospital who came along to show us the way, is in the middle directing him, and I am by the window, the visible foreigner, the passport. Something scatters across my hand, simultaneous with the crashing of a bullet through the ambulance, some plastic part dislodged, flying through the window.

Attacked
We stop, turn off the siren, keep the blue light flashing, wait, eyes on the silhouettes of men in US marine uniforms on the corners of the buildings. Several shots come. We duck, get as low as possible and I can see tiny red lights whipping past the window, past my head. Some bullets—it’s hard to tell—are hitting the ambulance and I start singing. What else do you do when someone’s shooting at you? A tire bursts with an enormous noise and a jerk of the vehicle.

I’m outraged. We’re trying to get to a woman who’s giving birth without any medical attention, without electricity, in a city under siege, in a clearly marked ambulance, and you’re shooting at us. How dare you?

Azzam grabs the gear stick and gets the ambulance into reverse, another tire bursting as we go over the median in the center of the road, the shots still coming as we flee around the corner. I carry on singing. The wheels are scraping, burst rubber burning on the road.

The men from the clinic run for a stretcher as we arrive and I shake my head. They spot the new bullet holes and run to see if we’re OK. Is there any other way to get to her? I want to know. “La, maaku tarieq.” There is no other way. They say we did the right thing. They say they’ve fixed the ambulance four times already and they’ll fix it again but the radiator’s gone and the wheels are buckled and she’s still at home in the dark giving birth alone. I let her down.

We can’t go out again. For one thing there’s no ambulance. And besides, it’s dark now and that means our foreign faces can’t protect the people who go out with us or the people we pick up. Maki is the acting director of the place. He says he hated Saddam but now he hates the Americans more.

We take off the blue gowns as the sky starts exploding somewhere beyond the building opposite. Minutes later a car roars up to the clinic. I can hear a man screaming before I can see that there’s no skin left on his body. He’s burnt from head to foot. For sure there’s nothing they can do. He’ll die of dehydration within a few days. Another man is pulled from the car onto a stretcher. Cluster bombs, they say, although it’s not clear whether they mean one or both of them.

Mr. Yasser’s House
We set off walking to the home of Mr. Yasser, a tall and dignified local man, where we are to spend the night. We wait at each corner for someone to check the street before we cross. A ball of fire falls from a plane, splits into smaller balls of bright white lights. I think they’re cluster bombs, because cluster bombs are in the front of my mind, but they vanish, just magnesium flares, incredibly bright but short-lived, giving a flash picture of the town from above.

The planes are above us all night, so that as I doze I forget I’m not on a long distance flight—the constant bass note of an unmanned reconnaissance drone overlaid with the frantic thrash of jets and the dull beat of helicopters interrupted by the explosions.

Mr. Yasser has three children. In the morning I make balloon dogs, giraffes, and elephants for the little one, Abdullah, who’s clearly distressed by the noise of the aircraft and explosions. I blow bubbles which he follows with his eyes. Finally, I score a smile. The twins, thirteen years old, laugh too. One of them is an ambulance driver; both are said to be handy with a Kalashnikov.

The doctors look haggard in the morning. None has slept more than a couple of hours a night for a week. One has had only eight hours of sleep in the last seven days, missing the funerals of his brother and aunt because he was needed at the hospital.

“The dead we cannot help,” says Jassim, one of our bus drivers. “I must worry about the injured.”

We go again, Dave, Rana and me, this time in a pickup. There are some sick people close to the Marines’ line who need evacuating. No one dares come out of their house because the marines are on top of the buildings shooting at anything that moves. Saad, an 11-year-old mujahideen fighter and our guide, fetches us a white flag and tells us not to worry—he’s checked and secured the road, no mujahideen will fire at us, that peace is upon us. This 11-year-old child, his face covered with a keffiyeh, all but his bright brown eyes. His AK-47 almost as tall as he is.

We shout again to the soldiers, hold up the flag with a red crescent sprayed onto it. Two come down from the building, cover this side and Rana mutters, Allahu akbar. Please nobody take a shot at them.”

We jump down and tell them we need to get some sick people from the houses. They want Rana to go and bring out the family from the house whose roof they’re on. Thirteen women and children are still inside, in one room, without food and water for the last 24 hours.

“We’re going to be going through soon clearing the houses,” the senior soldier says.

“What does that mean, clearing the houses?”

“Going into every one searching for weapons.” He’s checking his watch, can’t tell me what will start when, of course, but there’s going to be air strikes in support. “If you’re going to do this you gotta do it soon.”

First we go down the street. There’s a man, face down, in a white dishdasha, a small round red stain on his back. We run to him. Again the flies have arrived first. Dave is at his shoulders, I’m by his knees and as we reach to roll him onto the stretcher Dave’s hand goes through his chest, through the cavity left by the bullet that entered so neatly through his back and blew his heart out.

There’s no weapon in his hand. Only when we arrive, his sons come out, crying, shouting. He was unarmed, they scream. He was unarmed. He just went out the gate and they shot him. None of them have dared come out since.

He was unarmed, 55 years old, shot in the back.

We cover his face, carry him to the pickup. There’s nothing to cover his body with. The sick woman is helped out of the house, the little girls around her hugging cloth bags to their bodies, whispering, “Baba. Baba.” Daddy. Shaking, they let us go first, hands up, around the corner, then we usher them to the cab of the pickup, shielding their heads so they can’t see him, the cuddly fat man stiff in the back.

The people seem to pour out of the houses now in the hope we can escort them safely out of the line of fire—kids, women, men, anxiously asking us whether they can all go, or only the women and children. We go to ask. The young Marine tells us that men of fighting age can’t leave. What’s fighting age, I want to know. He contemplates. Anything under forty-five. No lower limit.

It appalls me that all those men would be trapped in a city which is about to be destroyed. Not all of them are fighters, not all are armed. It’s going to happen out of the view of the world, out of sight of the media, because most of the media in Fallujah is embedded with the Marines or turned away at the outskirts. Before we can pass the message on, two explosions scatter the crowd in the side street back into their houses.
“If I don’t do it, who will?”

Rana is with the Marines evacuating the family from the house they’re occupying. The pickup isn’t back yet. The families are hiding behind their walls. We wait, because there’s nothing else we can do. We wait in no man’s land. The Marines, at least, are watching us through binoculars. Maybe the local fighters are too.

I’ve got a disappearing hanky in my pocket, so while I’m sitting like a lemon with nowhere to go, gunfire and explosions aplenty all around, I make the hanky disappear, reappear, disappear. It’s always best, I think, to seem completely unthreatening and completely unconcerned—so no one worries about you enough to shoot. We can’t wait too long, though. Rana’s been gone ages. We have to go and get her to hurry. There’s a young man in the group. She’s talked them into letting him leave too.

A man wants to use his police car to carry some of the people, a couple of elderly ones who can’t walk far, the smallest children. It’s missing a door. Who knows if it was really a police car or the car was re-appropriated and just ended up there? It doesn’t matter if it gets more people out faster. They creep from their houses, huddle by the wall, follow us out, their hands up too, and walk up the street clutching babies, bags, each other.

The pickup gets back and we shovel as many onto it as we can as an ambulance arrives from somewhere. A young man waves from the doorway of what’s left of a house, his upper body bare, a blood soaked bandage around his arm, probably a fighter but it makes no difference once someone is wounded and unarmed. There are dead here too. Getting the dead isn’t essential. Like the doctor said, the dead don’t need help, but if it’s easy enough then we will. Since we’re already OK with the soldiers and the ambulance is here, we run down to fetch them in. It’s important in Islam to bury the body straight away.

The ambulance follows us. The soldiers start shouting in English at us for it to stop, pointing guns. It’s moving fast. We’re all yelling, signaling for it to stop but it seems to take forever for the driver to hear and see us. It stops before they open fire. We haul the dead onto the stretchers and run, shoving them in the back. Rana squeezes in the front with the wounded man, and Dave and I crouch in the back beside the bodies. He says he had allergies as a kid and hasn’t got much sense of smell. I wish, retrospectively, for childhood allergies and stick my head out the window.

The bus is going to leave, taking the injured people back to Baghdad, the man with the burns, one of the women who was shot in the jaw and shoulder, several others. Rana says she’s staying to help. Dave and I don’t hesitate: We’re staying too. “If I don’t do it, who will?” has become an accidental motto and I’m acutely aware after the last foray how many people, how many women and children, are still in their houses either because they’ve got nowhere to go, they’re scared to go out of the door or because they’ve chosen to stay.

Then Azzam says we have to go. He hasn’t got contacts with every armed group, only with some. There are different issues to square with each one. We need to get these people back to Baghdad as quickly as we can. If we’re kidnapped or killed it will cause even more problems, so it’s better that we just get on the bus and leave and come back with him as soon as possible.

Back on the Bus
It hurts to climb onto the bus when the doctor has just asked us to go and evacuate some more people. I hate the fact that a qualified medic can’t travel in the ambulance but I can, just because I look like the sniper’s sister or one of his mates, but that’s the way it is today and the way it was yesterday and I feel like a traitor for leaving. But I can’t see where I’ve got a choice. It’s a war now and as alien as it is to me to do what I’m told, for once I’ve got to.

Jassim is scared. He harangues his son Mohammed constantly, tries to pull him out of the driver’s seat while we’re moving. The woman with the gunshot wound is on the back seat, the man with the burns in front of her, being fanned with cardboard from the empty boxes, his intravenous drips swinging from the rail along the ceiling of the bus. It’s hot. It must be unbearable for him.

Saad comes onto the bus to wish us well for the journey. He shakes Dave’s hand and then mine. I hold his in both of mine and tell him “Dir balak,” take care, as if I could say anything more stupid to a pre-teen Mujahedin with an AK-47 in his other hand, and our eyes meet and stay fixed, his full of fire and fear.

Can’t I take him away? Can’t I take him somewhere he can be a child? Can’t I make him a balloon giraffe and give him some drawing pens and tell him not to forget to brush his teeth? Can’t I find the person who put the rifle in the hands of that little boy? Can’t I tell someone about what that does to a child? Do I have to leave him here where there are heavily armed men all around him and lots of them are not on his side, however many sides there are in all of this? And of course I do. I do have to leave him, like child soldiers everywhere.

The way back to Baghdad is tense, the bus almost getting stuck in a dip in the sand, people escaping in anything, even piled on the trailer of a tractor, lines of cars and pickups and buses ferrying people to dubious sanctuary, lines of men in vehicles queuing to get back into Fallujah—having gotten their families to safety—either to fight or to help evacuate more people. The driver, Jassim, ignores Azzam and takes a different road so that suddenly we’re not following the lead car and we’re on a road that’s controlled by a different armed group than the ones who know us.

A crowd of men waves guns to stop the bus. Somehow they apparently believe that there are American soldiers on the bus, as if they wouldn’t be in tanks or helicopters, and there are men getting out of their cars with shouts of “Sahafa Amreeki,” American journalists. The passengers shout out of the windows, “Ana min Fallujah,” I am from Fallujah. Gunmen run onto the bus and see that it’s true. There are sick, injured, and old people—all Iraqis. They relax and wave us on.

We stop in Abu Ghraib and swap seats, foreigners in the front, Iraqis less visible, headscarves off so we look more western. The American soldiers are so happy to see westerners they don’t mind too much about the Iraqis with us, search the men and the bus. They leave the women unsearched because there are no women soldiers to search us. Mohammed keeps asking me if things are going to be OK.
Al-melaach wiyana,” I tell him. The angels are with us. He laughs.

And then we’re in Baghdad, delivering them to the hospitals, Nuha in tears as they take the burnt man off groaning and whimpering. She puts her arms around me and asks me to be her friend. I make her feel less isolated, she says, less alone.
The satellite news says the cease-fire is holding. George Bush tells the troops on Easter Sunday, “I know what we’re doing in Iraq is right.”

Well George, I know now too. I know what it looks like when you brutalize people so much that they’ve nothing left to lose. I know what it looks like when an operation is being done without anesthetic because the hospitals are destroyed or under sniper fire and the city’s under siege and aid isn’t getting in properly. I know what it sounds like too. I know what it looks like when tracer bullets are passing your head, even though you’re in an ambulance. I know what it looks like when a man’s chest is no longer inside him and what it smells like, and I know what it looks like when his wife and children pour out of his house.

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